- Shogun 2 For Mac Manual Pdf
- Shogun 2 For Mac Manual Download
- Shogun 2 For Mac Manual Online
- Shogun 2 For Mac Manual Free
Important information regarding Total War: SHOGUN 2: The game is supported on the following Macs. To check your Mac model and when it was released, select About This Mac from the Apple Menu on your menu bar:. All 13' MacBook Pros released since Mid 2012. All 15' MacBook Pros released since Mid 2012. Link to the cheat program: http://the-cheat.en.softonic.com/mac.
HDR dual monitor and 8-channel HDp60 / 2-channel 4Kp60 rackmount recorder
The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7' HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.
*peak brightness
Record multiple formats
The Shogun Studio 2 records either two channels of 4Kp60, or up to eight HDp60 sources in industry standard Apple ProRes, ProRes RAW and AVID DNx codecs. Free your workflow from the constraints of highly compressed GOP based codecs and their associated artifacts. Replace them with clean images captured direct from the sensors of your camera channels using modern Intra-frame codecs.
Playback and edit
Review or play out your footage directly on the Shogun Studio 2 using the innovative touchscreen controls. Playback and play out up to 4Kp60 video, or 2K/HD high frame rate footage slowed down in the unit itself. Playlists can be created from clips either recorded on an Atomos recorder, or from your edit system in a supported codec, resolution and framerate. Ares mp3 music.
Advanced record modes
The Shogun Studio 2 offers Pre Roll recording with a 8 second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi Camera ISO recording and Switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two video switched.
Master your rack
The Shogun Studio 2 only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges or in small mobile broadcast vehicles. Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.
Class leading screen technology
The dual 7' screens of the Shogun Studio 2 have advanced dynamic zoned backlighting for deeper blacks and brighter whites, while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, colour and white balance.
Shogun Studio 2 has a host of tools for image analysis:
9 volt adapter for old mac tool analyzer. Wave Form Monitors with Luma, RGB parade and Vectorscope with zoom.
Focus peaking, zebra and false color that allow for further image QC checks to be remotely monitored from a distance.
1:1 and 2:1 magnification allows for operators to punch in to check shots for focus, exposure and which is perfect when used in combination with a remote camera control unit.
VU meters for audio monitoring of up to 12 channels of embedded audio and the ability to monitor individual tracks and select which to record.
The ProRes RAW Advantage
Creators are granted complete creative control of their video images in post-production as ProRes RAW combines the flexibility of RAW video with the real-time performance of ProRes. The format gives filmmakers incredible latitude when adjusting the look of their images and extending brightness and shadow detail – making ProRes RAW ideal for HDR workflows.
In addition to their groundbreaking combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW files – simplifying and accelerating file transfer, media management, and archiving. ProRes RAW files can easily be edited on most modern Apple Mac systems. ProRes RAW is fully supported in Final Cut Pro X along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight, and Grass Valley Edius. Adobe Premiere Pro and Avid Media Composer are also set to support ProRes RAW in 2020.
10RU worth or functionality in a 3RU box
In addition to the core recording and monitoring functions the Shogun Studio 2 packs a raft of additional features that make it incredibly versatile toolbox.
Managed color pipeline
1:1 and 2:1 magnification allows for operators to punch in to check shots for focus, exposure and which is perfect when used in combination with a remote camera control unit.
VU meters for audio monitoring of up to 12 channels of embedded audio and the ability to monitor individual tracks and select which to record.
The ProRes RAW Advantage
Creators are granted complete creative control of their video images in post-production as ProRes RAW combines the flexibility of RAW video with the real-time performance of ProRes. The format gives filmmakers incredible latitude when adjusting the look of their images and extending brightness and shadow detail – making ProRes RAW ideal for HDR workflows.
In addition to their groundbreaking combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW files – simplifying and accelerating file transfer, media management, and archiving. ProRes RAW files can easily be edited on most modern Apple Mac systems. ProRes RAW is fully supported in Final Cut Pro X along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight, and Grass Valley Edius. Adobe Premiere Pro and Avid Media Composer are also set to support ProRes RAW in 2020.
10RU worth or functionality in a 3RU box
In addition to the core recording and monitoring functions the Shogun Studio 2 packs a raft of additional features that make it incredibly versatile toolbox.
Managed color pipeline
Shogun Studio 2 manages your color in every way. It supports Log inputs from major camera vendors, converting it to Rec.709 and providing users the option to load their own 3D LUTs for immediate preview and transform.
Metadata tagging, Cut Edits & EDL XML
Atomos improve the speed of your end-to-end workflow, allowing for fast turn around and ingest into Media Asset Management systems. Make edit decisions on the fly by touching the screen and selecting from one of 10 tags. You can start to favorite or reject clips while you record, then review, cut and tag in playback mode.
Weight | |
---|---|
Weight | 5.0kg / 11lb |
Rack height | 3Ru |
Rack mounting | Removable rack ears |
Dimensions (W x H x D mm) | 447 x 152 x 280mm, 17.6 x 6.0 x 11.0'(without rack ears) 490 x 152 x 280mm, 19.3 x 6.0 x 11.0' (with rack ears) |
Construction | Steel construction for durability |
Cooling | Actively controlled fan with heat sinks |
Power | |
---|---|
Operating power (including SSD) | 20 - 86W |
Compatible batteries | No |
Input voltage (battery) | - |
DC Out | No |
Touchscreen | |
---|---|
Size | 7.2' |
Resolution | 1920 x 1200 |
PPI | 325 |
Aspect ratio | 16:9 native |
Color Gamut | Up to Wide color gamut (105% DCI-P3) |
Look up table (LUT) support | 3D LUT (.cube format) |
Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 4:3 |
Technology | Dynamic AtomHDR zoned backlight |
Dynamic AtomHDR Technology | |
---|---|
Backlight | Direct LED |
Zones | 360 direct backlight individual LEDs |
LEDs | Wide Color Calibrated D65 or D95 |
Bit depth | 10-bit (8+2 FRC) |
Color | DCI-P3 105% |
Brightness | 3000nit (+/- 10%) |
Brightness | 3000nit (+/- 10%) |
Control | On the fly real-time brightness analysis for LED control |
HDR Conversion | Log/RAW to HLG or PQ, Dolby Vision Loop out |
HDR Monitoring Technology | |
---|---|
Gamma | Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / Log- CEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm / FujiFilm F-log / Nikon N-Log PQ10k and HLG |
Gamut | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 |
Video input/loop out | |
---|---|
HDMI | HDMI 1 x HDMI (2.0)** |
SDI | Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI |
Signal (camera dependent) | Uncompressed true 10-bit or 8-bit 422 |
LTC (Record Mode Only) | LTC input signal and loop out |
Genlock (Playback Mode Only) | Genlock input signal and loop out |
Video output (play out) | |
---|---|
HDMI | 1 x HDMI (2.0)** |
SDI (Play Out) | 1 x Single link SDI 12G/6G/3G/1.5G, Optional 2nd SDI output available in Playback mode |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Video Signal Conversion | |
---|---|
HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Audio in/out (48kHz PCM audio) (Per Channel) | |
---|---|
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analogue in/out Dynamic range >90dB Max signal level +24dBu 3.5mm 2ch. |
Supported Codecs & frame rates (record & playback) | |
---|---|
Raw to: | ProRes RAW, ProRes CinemaDNG (CDNG up to 30p only) Avid DNxHD |
Sony^^ FS700, FS-5, FS-7, FS-7MkII | 4K DCI; 24/25/30/50/60p 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
Canon C300MKII/C500 CDNG | 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera |
Panasonic VaricamLT, EVA1 | 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
Supported base resolution & FPS from cameras | 2K DCI: 23.98/24/25/29.9/30/50/59.94/60p 1080p: 23.98/24/25/29.9/30/50/59.94/60p 1080i: 50/59.94/60i 720p: 50/60p PSF inputs converted to P but looped out as PSF |
Supported FPS & resolution from gaming consoles and graphic cards | 4k UHD: 24/25/30/50/60p |
Onboard processing | |
---|---|
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in all RAW modes) |
Remote control | |
---|---|
HDMI | Auto HDMI Trigger Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard |
RS422* | 9pin transport control on qualified controllers |
SDI | SDI trigger camera selectable |
Other | LANC control - Slave / Calibration on front. Serial - Calibration on front |
Playback | |
---|---|
Playlist / Genlock / LTC | Yes / Yes / No |
CDNG (Recorded content) | No support |
ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps. |
DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps. |
Recording | |
---|---|
Pre-roll record | Yes (HD 8s, 4K 2s) |
ISO Record | Up to 8 streams in 60pHD in parallel |
Custom timelapse | Yes* |
Supported media | 2.5' SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/ drives for list of tested and approved drives |
Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
Supported applications | Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke |
What's in the box | |
---|---|
Accessories included | Shogun Studio 2, 2 x rack ears with screws, 4 x rubber feet with screws, 2 x IEC power cable, 2 x HDMI cable, 1 x USB-C Dock, 5 x Master caddy II |
Optional extras | Master Caddy II x 5, Atomos USB to Serial Calibration cable, Xrite i1 Display pro |
Warranty | 1 year. Extended to 3 years on product registration |
Warranty | |
Standard | 1 year. Extend to 3 yrs on product registration |
Specifications are subject to change without notice. All information correct at time of publishing.
* This feature will be added in future Firmware update.
** Link between channel 1 and 2 is limited to 4kDCI at 30p
^^ FS700 and FS5mkii require RAW firmware upgrade. FS7 mki/ii require XDCA-FS& extension unit.
Shogun Studio 2 Firmware |
---|
Shogun Studio 2 Firmware V10.44 Ffx passing 9999 dmg. Update Atom OS to take advantage of the latest features for the best possible experience. |
|
Shogun Studio 2 Controller Update |
---|
Shogun Studio 2 Controller Update V3.25 Controller update required to run the latest version of AtomOS |
Shogun Studio 2 Resources |
---|
Quick Start Guide |
Recommended Drives |
Supported Cameras |
HDR dual monitor and 8-channel HDp60 / 2-channel 4Kp60 rackmount recorder
The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7' HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.
*peak brightness
Record multiple formats
The Shogun Studio 2 records either two channels of 4Kp60, or up to eight HDp60 sources in industry standard Apple ProRes, ProRes RAW and AVID DNx codecs. Free your workflow from the constraints of highly compressed GOP based codecs and their associated artifacts. Replace them with clean images captured direct from the sensors of your camera channels using modern Intra-frame codecs.
Playback and edit
Review or play out your footage directly on the Shogun Studio 2 using the innovative touchscreen controls. Playback and play out up to 4Kp60 video, or 2K/HD high frame rate footage slowed down in the unit itself. Playlists can be created from clips either recorded on an Atomos recorder, or from your edit system in a supported codec, resolution and framerate.
Advanced record modes
The Shogun Studio 2 offers Pre Roll recording with a 8 second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi Camera ISO recording and Switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two video switched.
Master your rack
The Shogun Studio 2 only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges or in small mobile broadcast vehicles. Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.
Class leading screen technology
The dual 7' screens of the Shogun Studio 2 have advanced dynamic zoned backlighting for deeper blacks and brighter whites, while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, colour and white balance.
Shogun Studio 2 has a host of tools for image analysis:
Wave Form Monitors with Luma, RGB parade and Vectorscope with zoom.
Focus peaking, zebra and false color that allow for further image QC checks to be remotely monitored from a distance.
1:1 and 2:1 magnification allows for operators to punch in to check shots for focus, exposure and which is perfect when used in combination with a remote camera control unit.
VU meters for audio monitoring of up to 12 channels of embedded audio and the ability to monitor individual tracks and select which to record.
The ProRes RAW Advantage
Creators are granted complete creative control of their video images in post-production as ProRes RAW combines the flexibility of RAW video with the real-time performance of ProRes. The format gives filmmakers incredible latitude when adjusting the look of their images and extending brightness and shadow detail – making ProRes RAW ideal for HDR workflows.
In addition to their groundbreaking combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW files – simplifying and accelerating file transfer, media management, and archiving. ProRes RAW files can easily be edited on most modern Apple Mac systems. ProRes RAW is fully supported in Final Cut Pro X along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight, and Grass Valley Edius. Adobe Premiere Pro and Avid Media Composer are also set to support ProRes RAW in 2020.
10RU worth or functionality in a 3RU box
In addition to the core recording and monitoring functions the Shogun Studio 2 packs a raft of additional features that make it incredibly versatile toolbox.
Managed color pipeline
Shogun Studio 2 manages your color in every way. It supports Log inputs from major camera vendors, converting it to Rec.709 and providing users the option to load their own 3D LUTs for immediate preview and transform.
Metadata tagging, Cut Edits & EDL XML
Atomos improve the speed of your end-to-end workflow, allowing for fast turn around and ingest into Media Asset Management systems. Make edit decisions on the fly by touching the screen and selecting from one of 10 tags. You can start to favorite or reject clips while you record, then review, cut and tag in playback mode.
Weight | |
---|---|
Weight | 5.0kg / 11lb |
Rack height | 3Ru |
Rack mounting | Removable rack ears |
Dimensions (W x H x D mm) | 447 x 152 x 280mm, 17.6 x 6.0 x 11.0'(without rack ears) 490 x 152 x 280mm, 19.3 x 6.0 x 11.0' (with rack ears) |
Construction | Steel construction for durability |
Cooling | Actively controlled fan with heat sinks |
Power | |
---|---|
Operating power (including SSD) | 20 - 86W |
Compatible batteries | No |
Input voltage (battery) | - |
DC Out | No |
Touchscreen | |
---|---|
Size | 7.2' |
Resolution | 1920 x 1200 |
PPI | 325 |
Aspect ratio | 16:9 native |
Color Gamut | Up to Wide color gamut (105% DCI-P3) |
Look up table (LUT) support | 3D LUT (.cube format) |
Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 4:3 |
Technology | Dynamic AtomHDR zoned backlight |
Dynamic AtomHDR Technology | |
---|---|
Backlight | Direct LED |
Zones | 360 direct backlight individual LEDs |
LEDs | Wide Color Calibrated D65 or D95 |
Bit depth | 10-bit (8+2 FRC) |
Color | DCI-P3 105% |
Brightness | 3000nit (+/- 10%) |
Brightness | 3000nit (+/- 10%) |
Control | On the fly real-time brightness analysis for LED control |
HDR Conversion | Log/RAW to HLG or PQ, Dolby Vision Loop out |
HDR Monitoring Technology | |
---|---|
Gamma | Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / Log- CEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm / FujiFilm F-log / Nikon N-Log PQ10k and HLG |
Gamut | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 |
Shogun 2 For Mac Manual Pdf
Video input/loop out | |
---|---|
HDMI | HDMI 1 x HDMI (2.0)** |
SDI | Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI |
Signal (camera dependent) | Uncompressed true 10-bit or 8-bit 422 |
LTC (Record Mode Only) | LTC input signal and loop out |
Genlock (Playback Mode Only) | Genlock input signal and loop out |
Video output (play out) | |
---|---|
HDMI | 1 x HDMI (2.0)** |
SDI (Play Out) | 1 x Single link SDI 12G/6G/3G/1.5G, Optional 2nd SDI output available in Playback mode |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Video Signal Conversion | |
---|---|
HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Audio in/out (48kHz PCM audio) (Per Channel) | |
---|---|
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analogue in/out Dynamic range >90dB Max signal level +24dBu 3.5mm 2ch. |
Supported Codecs & frame rates (record & playback) | |
---|---|
Raw to: | ProRes RAW, ProRes CinemaDNG (CDNG up to 30p only) Avid DNxHD |
Sony^^ FS700, FS-5, FS-7, FS-7MkII | 4K DCI; 24/25/30/50/60p 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
Canon C300MKII/C500 CDNG | 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera |
Panasonic VaricamLT, EVA1 | 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
Supported base resolution & FPS from cameras | 2K DCI: 23.98/24/25/29.9/30/50/59.94/60p 1080p: 23.98/24/25/29.9/30/50/59.94/60p 1080i: 50/59.94/60i 720p: 50/60p PSF inputs converted to P but looped out as PSF |
Supported FPS & resolution from gaming consoles and graphic cards | 4k UHD: 24/25/30/50/60p |
Onboard processing | |
---|---|
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in all RAW modes) |
Remote control | |
---|---|
HDMI | Auto HDMI Trigger Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard |
RS422* | 9pin transport control on qualified controllers |
SDI | SDI trigger camera selectable |
Other | LANC control - Slave / Calibration on front. Serial - Calibration on front |
Shogun 2 For Mac Manual Download
Playback | |
---|---|
Playlist / Genlock / LTC | Yes / Yes / No |
CDNG (Recorded content) | No support |
ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps. |
DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps. |
Recording | |
---|---|
Pre-roll record | Yes (HD 8s, 4K 2s) |
ISO Record | Up to 8 streams in 60pHD in parallel |
Custom timelapse | Yes* |
Supported media | 2.5' SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/ drives for list of tested and approved drives |
Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
Supported applications | Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke |
What's in the box | |
---|---|
Accessories included | Shogun Studio 2, 2 x rack ears with screws, 4 x rubber feet with screws, 2 x IEC power cable, 2 x HDMI cable, 1 x USB-C Dock, 5 x Master caddy II |
Optional extras | Master Caddy II x 5, Atomos USB to Serial Calibration cable, Xrite i1 Display pro |
Warranty | 1 year. Extended to 3 years on product registration |
Warranty | |
Standard | 1 year. Extend to 3 yrs on product registration |
Shogun 2 For Mac Manual Online
Please note:Specifications are subject to change without notice. All information correct at time of publishing.
* This feature will be added in future Firmware update.
** Link between channel 1 and 2 is limited to 4kDCI at 30p
^^ FS700 and FS5mkii require RAW firmware upgrade. FS7 mki/ii require XDCA-FS& extension unit.
Shogun 2 For Mac Manual Free
Shogun Studio 2 Firmware |
---|
Shogun Studio 2 Firmware V10.44 Update Atom OS to take advantage of the latest features for the best possible experience. |
|
Shogun Studio 2 Controller Update |
---|
Shogun Studio 2 Controller Update V3.25 Controller update required to run the latest version of AtomOS |
Shogun Studio 2 Resources |
---|
Quick Start Guide |
Recommended Drives |
Supported Cameras |